April 2011
Welcome to Martin Zellers new website!
Here you can find information about his artwork, exhibitions and life.
And now also studies, drafts and images from his latest projects. Visit Open Studio to learn more about projects in progress such as NT, a project about the New Territories in Hong Kong Martin Zeller has been working on since 2010, and On Munch, a collaboration with Macau based artist Sou Vai Keng on the Norwegian painter Edvard Munch. They just returned from a two-month trip to Berlin and Oslo. Sou Vai Keng did sketches and Martin Zeller took photographs with the aim to find a contemporary approach on Munchs works. After printing the photographs on rice paper in the next weeks Sou Vai Keng will start to paint on the enlargements.
Who is?
Martin Zeller born in 1961 in Mannheim, Germany, studied communications design at the College of Design in Darmstadt. He was awarded the European Photography Award for his first art project (412432, 1990). In 1993, Zeller moved to reunified Berlin, where he created photo works of the stone metropolis with broad building lines (Berlin, 1997). Later he turned his attention to the multi-layeredness of the image (The Transfigured Night, 2002). International prizes and scholarships made projects abroad possible, including Roma (1999) and China Transition (2003).
Between 2004 and 2008, Martin Zeller worked in Hong Kong on The Diagonal Mirror, Space And Time In Photographing Hong Kong. In 2008 the resulting work was published by Kehrer Publishing House, Germany and in the spring of 2009, the Museum of Art in Mannheim, Germany exhibited his large-scale photo works.
From 2008 to 2009 Martin Zeller was invited by the Swiss Art Council Pro Helvetia to realize Foodscape, a Swiss-Chinese Intercultural Encounter about the Culture of Food.
He was co-editor and artistic participant of the publication Foodscape, which won the 2010 World Gourmand Foodbook Award for Best Chinese Cuisine Book.
Martin Zeller lives and works in Hong Kong.
Martin Zeller
Curriculum Vitae
1961 Born in Mannheim, Germany
1983 Studied Communications Design, College of Design Darmstadt, Germany
1989 Diploma of Video and Communications Design
1989 - 93 Studio in Mannheim, Germany
1994 - 95 Lectureship at University of Mannheim, Communications Theory
1993 Studio in Berlin, Germany
2000 Studio in Basel, Switzerland
2004 - 07 Worked in Hong Kong on The Diagonal Mirror
2008 - 09 Worked as editor and artist on Foodscape, Swiss Arts Council Pro Helvetia
2010 Visiting Lecturer, Food Photography, Chinese Cuisine Training Institute (CCTI) Hong Kong
Martin Zeller lives and works in Hong Kong
Awards and Fellowships
2010 Foodscape won World Gourmand Foodbook Award for Best Chinese Cuisine Book
1999 Artist Residence Scholarship, Casa di Goethe, Rome
1998 Fellowship, Foundation for the Arts, Berlin
1996 Work Stipend in the Visual Arts, Senate Administration for Science, Research and Culture, Berlin;
Grand of the Arts Foundation Baden-Wuerttemberg;
Artist Residence Scholarship, Castle Wiepersdorf, Foundation for the Arts, Berlin;
1995 Award, European Photography Award, German Leasing AG, Bad Homburg v.d.H.
1994 Award, Saar-Ferngas Young Artist Promotion Prize, Saarbrucken
1992 Fulbright Scholarship
1991 German Award Winner Kodak European Photography Award, Arles
Award, Antonie Belser Promotion Prize, Ludwigshafen
1987 Award, Photography in Art, Stadtsparkasse Pforzheim
Selected Solo Exhibitions
2010 Philomarino Arte Contemporanea, Naples;
2009 The Diagonal Mirror, Kunsthalle Mannheim (C);
2005 The Diagonal Mirror, Galerie Weigand, Ettlingen;
2003 China Transition, Literaturhaus Basel (C);
The Transfigured Night, Antonopoulou Gallery, Athens (C);
China Transition, Galerie Weigand, Ettlingen (C);
2002 Die verklaerte Nacht, Galerie Haus Schneider, Ettlingen (C);
Die verklaerte Nacht, Price, Waterhouse, Cooper, Berlin (C);
2001 Urbane Reflektionen, Kunstforum der Bausparkasse Schwaebisch-Hall (C);
2000 Berlin, German House, New York (C);
1999 Casa di Goethe, Roma (C);
Berlino, Galleria Photo & Co, Torino;
1998 Berlin, Marburger Kunstverein (C);
Award Winners, Arts Council Baden-Wurttemberg, Stuttgart (with Ingo Baumgarten);
Berlin, Zellermayer Galerie, Berlin (C);
Galerie Monika Beck, Homburg;
Berlin, Max Mueller Bhavan, Goethe Institut New Delhi;
1997 Berlin, Mannheimer Kunstverein (C);
Galerie Winkelmann, Dusseldorf;
1996 Galerie Conde, Goethe Institut Paris;
Kunstverein Wolfenbuettel;
Fotografie Forum International, Frankfurt a. M.;
Zellermayer Galerie, Berlin;
1995 Rigoletto, Staedtische Kunsthalle Mannheim (C);
Staedtische Galerie Rastatt;
Galerie Objektiv im Landesmuseum Oldenburg;
Studio Bildende Kunst, Berlin (with Max Baumann);
1994 Museum für Photographie, Braunschweig;
Das Dreieck, Zellermayer Galerie, Berlin (C);
1993 Scharpf-Galerie des Wilhelm-Hack-Museums, Ludwigshafen;
Installation Rampenweg, Kultursommer Ludwigshafen;
1992 Das Dreieck, Galerie am Schlossgarten, Mannheim (C);
1991 Vierhundertzwoelf, Vierhundertzweiunddreissig, Live Galerie, Zurich (C);
Intermediale Inszenierung 412 432, Kultursommer Ludwigshafen;
Vierhundertzwoelf, Vierhundertzweiunddreissig, Städtische Galerie Mannheim (C);
1990 Vierhundertzwoelf, Vierhundertzweiunddreissig, Stadtmuseum Ludwigshafen (C);
Selected Group Exhibitions
2008 Von Kunst und Politik. Photography in the Collection of the German Parliament,
Art Space of the German Parliament, Berlin;
(Maerkischer) Sand. Spuren zwischen Sujet, Werkstoff und Landschaftsraum, dkw Cottbus,
Brandenburgische
Kulturstiftung Cottbus (C);
2006 totalstadt.beijing case, ZKM, Zentrum Kunst und Medientechnologie, Karlsruhe (C);
Flic Flac Kunst aus Berlin, Berlinische Galerie, Berlin;
Fremde Stadt, Urbanism in Photography, artmatters Forum, Munich;
2003 25 Anniversary Arts Council Baden-Wurttemberg, Wurttembergische Kunstverein, Stuttgart;
2002 Die Stadt, Staedtische Galerie Delmenhorst;
2001 10 Jahre, Schloss Agathenburg;
4 Fotografen 4 Positionen, Galerie Haus Schneider, Ettlingen;
1999 Imagine, Galerie Haus Schneider, Ettlingen;
1998 Der Blick in die Landschaft, Aspects of Contemporary Photography, Staedtische Galerie Tuttlingen (C);
Neue Positionen, Photography from Berlin and Brandenburg, Brandenburgische Kunstsammlung
Cottbus, KMZA
Berlin und Galerie der Stadt Sindelfingen (C);
1997 Award Winners Arts Council Baden-Wurttemberg des Jahres 1996, Kunstverein Heidelberg, Museum
der Stadt
Ettlingen, Staedtisches Museum und Galerie der Stadt Engen, u.a.;
Mediale Welten, Award Winners Arts Council Baden-Wurttemberg, Galerie der Stadt Sindelfingen (C);
Die Fluechtigkeit der Stadt, Galerie HG, Berlin;
1996 Berlin, une Capitale en Pespectives, Troit de la Grande Arche, La Defense, Paris (C);
Paysage paysage, Galerie Vrais Reves, Goethe Institut Lyon;
Idee und Idylle, Galerie Raehnitzgasse der Landeshauptstadt Dresden;
Erfundene Wirklichkeit, Schloss Agathenburg (C);
Stipendiaten des Kuenstlerhauses Schloss Wiepersdorf, Wiepersdorf (C);
Nach dem Raum, Designhaus, Berlin;
1995 European Photography Award, Deutsche Leasing AG, Bad Homburg v.d.H. (C);
Der Ton des Raumes, Galerie Angelo Falzone, Mannheim;
1994 Junge Kunst, Saar Ferngas Foerderpreis, Pfalzgalerie Kaiserslautern und Brandenburgische;
Kunstsammlung
Cottbus (C);
Leben in Deutschland, Rautenstrauch-Joest-Museum, Cologne (C);
Installation Rampenweg, Internationale Fototage, Herten;
1993 Der Kontext in der Kunst, Galerie Halskratz, Mannheim;
1992 Mythos Rhein, Wilhelm-Hack-Museum, Ludwigshafen (C);
Architektur subjektiv, Kunstverein Heilbronn;
Die Schatten werden laenger, Galerie Halskratz, Mannheim;
1991 European Kodak Award Winners, Arles (C);
Für eine neue Bildsprache, Fotografie Forum International, Frankfurt a. M.;
Fotografie als Kunst, Stadtsparkasse Pforzheim;
1990 Feierabend, Industrietempel, VEB Stahlgiesserei Karl-Marx-Stadt;
Kunst Statt Kueche, Industrietempel, Braas Werke, Mannheim;
1989 Kunst im Turm, Industrietempel, Wasserturm zu Neckarau, Mannheim, (C);
1987 Fotografie als Kunst, Stadtsparkasse Pforzheim;
(C) Catalogue
(S) Solo exhibition
(G) Group exhibition
Selected Books and Catalogues
2009 Foodscape, A Swiss-Chinese Intercultural Encounter, Edited by Margrit Manz and Martin Zeller, MCCM Creations Publishing House Hong Kong, ISBN 978-988-98653-8-2, (G);
2008 The Diagonal Mirror Space and Time in Photographing Hong Kong, Preface by Wolfgang Kubin, Texts by Leung Ping-kwan and Heinz Stahlhut, Kehrer Verlag Heidelberg, ISBN 978-3-939 583-88-2, (S);
Von Kunst und Politik. Photography in the Collection of the German Parliament, Art Space of the German Parliament, Berlin, (G);
(Maerkischer) Sand. Spuren zwischen Sujet, Werkstoff und Landschaftsraum, dkw Cottbus, Brandenburgische Kulturstiftung Cottbus, Koehler & Amelang Verlag, ISBN 978-3-7338-0366-7, (G);
2006 totalstadt.beijing case, Preface by Gregor Jansen, ZKM, Zentrum Kunst und Medientechnologie, Karlsruhe, Verlag der Buchhandlung Walther Koenig, ISBN 978-3-86560-153-7, (G);
2003 Das Fremde im Auge des Fremden, Crossing China in Texts and Photographies, Literaturhaus Basel, ISBN 3-9806200-7-7, (S);
remixed, Martin Zeller on the Architecture of Cornelius Fischer, Kunstverein Viernheim, Preface by Angelika Stepken, ISBN 3-9809152-0-4, (S);
Work in progress, Bilfinger Berger Projektentwicklung GmbH, (S);
25 Anniversary Arts Council Baden-Wurttemberg, Wurttembergische Kunstverein, Stuttgart; DaimlerChrysler-Stipendium der Casa di Goethe Roma 1998 2002, Editor Ursula Bongaerts, Casa di Goethe, Roma, (G);
2002 Martin Zeller, Die verklaerte Nacht, Introduction by Andreas Schalhorn, Galerie Haus Schneider, Ettlingen, ISBN 3-9806200-8-5, (S);
Die Stadt, Staedtische Galerie Delmenhorst (G)
2000 Reconstructing Space: Architecture In Recent German Photography, Editor Michael Mack and an essay by Hubertus v. Amelunxen, Steidl Verlag Gemany, ISBN 1-8708909-8-1, (G);
Photo- und Konzeptkunst am Bau: Unter den Linden 50, An Art Project for the German Parliament Berlin, Essay by Hubertus v. Amelunxen, AWF-Verlag, Heidelberg, (G);
1999 Scholarships 1, Casa die Goethe, Preface by Dr. H. C. Barthold C. Witte, (G);
1997 Martin Zeller, Berlin, Mannheimer Kunstverein, Marburger Kunstverein, Introductions by Martin Stather, Wolfgang Tichy and Joerg Sperling, (S);
Mediale Welten, Award Winners Arts Council Baden-Wurttemberg, Preface by Otto Pannewitz, Galerie der Stadt Sindelfingen, ISBN 3-9326790-2-4, (G);
Martin Zeller, Wiepersdorfer Arbeiten, Preface Jorg Sperling, Stiftung Kulturfonds Berlin, (S);
1996 Erfundene Wirklichkeit, Preface Bettina Roggmann, Schloss Agathenburg, ISBN 3-9802018-9-9, (G);
Mois de la Photo a Paris, Catalog General (G)
1995 Martin Zeller, Rigoletto, Introduction by Hans-Juergen Buderer, Staedtische Kunsthalle Mannheim, ISBN 3-8916509-7-3, (S);
1994 Young Art, Saar-Ferngas Young Artist Promotion Prize, Preface by Ernst-Gerhard Güse, ISBN 3894220791, (G);
Leben in Deutschland, Rautenstrauch-Joest-Museum, Cologne, (G);
1992 Martin Zeller, Das Dreieck, Essay by Eckhard Siepmann, Nieswand Verlag, Kiel, ISBN 3-9260485-4-9, (S);
Mythos Rhein, Ein Fluss im Fokus der Kamera, Preface by Barbara Auer, Wilhelm-Hack-Museum Ludwigshafen, Braus Verlag, Heidelberg, ISBN 3-8946604-8-1, (G);
1990 Vierhundertzwoelf, Vierhundertzweiunddreissig, Introduction by Martin Stather and an essay by Thomas Ibach, Niesand Verlag, Kiel, ISBN 3-9260484-2-5, (S);
Biography
Biblography
Essays
THE DIAGONAL MIRROR (2008)
Space and Time in Photographing Hong Kong
Standing in front of Martin Zellers series of photographic works entitled The Diagonal Mirror, perhaps you will adjust your position: you take one step to the left, you take two steps to the right, but for the moment you still cant find the best viewing angle. These works are not of the average size and shape. Rather, each one is two large rectangular photographs running into each other. These buildings and streets, familiar yet strange, rich in detail, extend an invitation to roam. But the images, surrounded by empty space, seem to be floating in mid-air, and you dont know how to get in. Sometimes there is a foreground scene that lets you step into it but, as you can imagine, this slanting path, often bumpy, rugged, narrow, along with the overhanging promontories, obviously will not make this trip a safe, secure journey!
Excerpt of the introduction Martin Zellers Five Pleasures written by Leung Ping-kwan and published 2008 in the catalogue Martin Zeller - The Diagonal Mirror, Kehrer Publishing House, Germany.
The Diagonal Mirror (2008)
With texts by Wolfgang Kubin,
Leung Ping-kwan, and Heinz Stahlhut
Softcover
29,5 x 24,6 cm, 128 pages
74 colour illustrations
German / English / Chinese
ISBN 978-3-939 583-88-2
412-432-1990
The-Triangle-1992
Berlin-1997
The-Transfigured-Night-2002
The-Diagonal-Mirror-2008
China-Transition-2003
Work-in-Progress-2003
Foodscape-2009
NT (2010 - )
The Open Studio galleries are:
NT, 2010- with the subfolders Chapter 01 and Chapter 02
and
On Munch, 2010- with the subfolders Berlin 2010 and Berlin 2011 and Oslo 2011
For every Open Studio gallery I have only one text!
Since the spring of 2010 Martin Zeller has been working on a project called NT.
The New Territories - abbreviated to NT - is the region that stretches from Kowloon to the border of mainland China, and that includes also over 200 outlying islands. It comprises an area of 952 km² and the New Territories has a population of more than 3 million which represents nearly 50% of Hong Kong's total population.
The New Territories has long been Hong Kong's answer to its growing population. Huge government housing projects mushroomed throughout the New Territories, especially in towns along the railway lines. Once-sleepy villages became concrete jungles virtually overnight. But much of the New Territories was, and to a limited extent still is, rural area.
The New Territories was leased from Qing China to the United Kingdom in 1898 for 99 years in the Second Convention of Peking (The Convention for the Extension of Hong Kong Territory). As the expiration date of the lease neared in the 1980s, talks between the United Kingdom and the People's Republic of China led to the signing of the Sino-British Joint Declaration (1984), in which the whole of Hong Kong would be returned, instead of only the New Territories. This is because Hong Kong's shipping ports, reservoirs and other vital installations were all in the New Territories.
Martin Zellers work about the New Territories questions the unknown and foreign of a landscape in rapid development. In his photographs the region is full of contrasts in culture and customs. Every town is rooted in its own history but undergoes also a radical change. In Zellers works the New Territories represents the heritage and future of Hong Kong.
But Martin Zeller is not so much interested in documentation about this region as in developing new territories in art. His photographs break the mould: In groups of 2, 3 and more the photographs are arranged as a picture stream. Some works break our perception only slightly but others are installed crisscross at the exhibition wall. In this way of presentation Zellers NT reflects both the rapid mutation of a landscape and our constantly changing view on it.
Chinese
New Berlin 2011
New Oslo 2011
New Territories 2009
On Munch 2010
Bibliography
Galleries/Agencies
Germany
Heitsch Gallery
Reichenbachstrasse 14
80469 Munich
T: +49 (0)89 269 49 11-0
info_heitschgalerie.de
www.heitschgalerie.de
Galerie Julia Philippi
Hauptstraße 4
69117 Heidelberg
T: +49-6221-867384-4
julia.philippi_galerie-julia-philippi.de
www.galerie-julia-philippi.de
Siebenhaar Art Projects
Schweizer Haus im Kurpark
61462 Koenigstein/Ts.
T: +49-6174-1389
renate.siebenhaar_t-online.de
Steffi Weiss Kunstmanagement
Bundesallee 24
10717 Berlin
T: +49-173-8989867
steffi.weiss_gmail.com
Italy
Philomarino Arte Contemporanea
Via San. Pasquale a Chiaia 53
80122 Napoli
T: +39-081-19566455
info_philomarino.com
www.philomarino.com
Switzerland
Fabian & Claude Walter Galerie
g27, Grubenstrasse 27
PO Box 5068
8045 Zürich
T: +41-44440 4018
galerie_fabian-claude-walter.com
www.fabian-claude-walter.com
Publishers
Kehrer Publishing House
Heinsteinwerk
Wieblinger Weg 21
69123 Heidelberg
T: +49-62 21-649 2010
contact_kehrerverlag.com
www.kehrerverlag.com
Nieswand Verlag
Werftbahnstraße 8
24143 Kiel
T: +49- 431-7028163
info_nieswandverlag.de
www.nieswandverlag.de
MCCM CREATIONS
Room 1304, Hollywood Commercial Centre
233 Hollywood Road
Sheung Wan
Hong Kong
T: +852-31064010
info_mccmcreations.com
www.mccmcreations.com
Concept and editorial Martin Zeller
Design
© of the text, their authors
© of the translation, their authors
© of the photographs, their authors
Disclaimer
All rights reserved. The copyright for any material published on this website is reserved. any duplication or use of objects such as images, sounds, texts and videos is not permitted without Martin Zeller's written agreement.
Martin Zeller is not responsible for any contents linked or referred to from his website. The contents will not be checked and are subject to control and liability of the responsible provider.
The use of published postal addresses, telephone or fax numbers and email addresses for marketing purposes is prohibited.
E-mail
studiozeller_gmail.com
ON MUNCH (2010 - )
Sou Vai Keng and Martin Zeller
Martin Zeller and Sou Vai Keng are collaborating on an art project using their respective art media on the topic: the rebellion of Edvard Munch. Martin has been taking photographs of landscapes and self portraits that recall or are related to Munchs paintings and prints. With very few colours, Vai Keng tries to express the silence and calmness in ink brushes to mingle with Martins inkjet photo images. Both artists work hand in hand to retrace the serene and melancholy life and creations of the great expressionist painter of the last two centuries.
The research is more on the philosophical aspects rather than psychological ones. Both artists are interested in finding alternative approaches to deal with conflicts and challenges as well as finding a way to break established norms of interpreting arts. It is also important to note that both artists are interested in exploring the essence of Munchs works through the body, space and colours. Through their work on Edvard Munch and his arts, the artists try to prove the coexistence of contrasts: silence in noise, peace in violence, order in chaos.
Both Sou Vai Keng and Martin Zeller work with ink on paper - but for the first time the two artists are using the same sheet of rice paper to paint on it in very different techniques: Sou, as a painter, works with brushes and Zeller, as a photographer, with a digital inkjet printer.
After a long time of research they have found a way to unify the two different media: painting in the tradition of Chinese ink painting that has been practiced for more than a thousand years and photography using digital techniques of the latest generation. On rice paper the two media melt into a single artwork which still witnesses its roots but also shows new perspectives in the creation and perception of art.
FOODSCAPE (2009)
A Swiss-Chinese Intercultural Encounter about the Culture of Food
Concept, realization and editorial by Margrit Manz and Martin Zeller
With black and white photographs by Xu Pei-wu
and colour and documentary photographs by Martin Zeller
and the video Inter-View on DVD by Milan Buettner
Participating artists from Switzerland:
Arno Camenisch (Biel), Vanni Bianconi (Locarno), Odile Cornuz (Neuchâtel), and Peter Weber (Zurich).
And from China: Lo Kwai-cheung (Hong Kong); Huang Lihai and Xu Pei-wu (Guangzhou); Sou Vai Keng (Macau); Mary Ann O`Donnell and Yang Qian (Shenzhen)
FOODSCAPE is a collection of texts and photographs created during an intercultural encounter about the history and culture of food on a 14-day literary & artistic exchange trip for Swiss authors and artists to China, and vice versa, for Chinese authors to Switzerland. During workshops, readings and public discussions, a linguistic and sensual approach made it possible to experience what is otherwise mutually foreign.
In 2010, FOODSCAPE won the World Gourmand Foodbook Award for Best Chinese Cuisine Book at the Paris Gourmand Book Fair. The Jury awarded the book for its beautiful photography, great design, and innovative concepts.
Foodscape (2009)
Edited by Margrit Manz and Martin Zeller
Photography by Xu Peiwu and Martin Zeller
Hardcover
24,5 x 33,5 cm, 128 pages
24 colour and 12 b/w illustrations
English / Chinese / Portuguese /
German / French / Italian
ISBN 978-988-98653-8-2
BERLIN (1997)
In 1993, Martin Zeller moved to reunified Berlin, where he created photo works of the stone metropolis with broad building lines. The wounds of the separation and even of the Second World War were still present. After the fall of the wall in 1989 Berlin had to find its new position both as Germanys capital and as a metropolis in competition with the other world cities.
Martin Zeller was interested in places which show the transition from the past to the present. Often it is difficult to see if the urban wounds are historic or new, or if the dug up and shredded landscape was caused by war or real estate developers.
Zeller took all the photographs during the night, often with exposure time of more than 3 hours. Zeller worked on analog film and during the exposure time he was able to close and open the shutter for several times to collect the light he was looking for. In fact this is the negation of Henri Cartier-Bressons decisive moment where all the information has to be captured in a split second.
Martin Zeller opens the image space right in front of our feet. Wide views and extreme perspectives make it possible for a viewer to take a virtual walk through his large-scale photographs. But it is also easy to get lost in the saturated colours between the dazzling streetlights and deep shadows.
Berlin (1997)
With introductions by Martin Stather,
Wolfgang Tichy, and Joerg Sperling
51 colour illustrations
German
Published by Mannheimer Kunstverein,
Zellermayer Gallery, and Marburger Kunstverein
412 - 432 (1990)
Twenty Kilometers along the River Rhine
In the years of 1989 and 1990 Martin Zeller took photographs during the night along the Rhine from km412 to km432. Among nuclear power plants, chemical factories, power stations and industrial harbour sites Zeller followed the river which is famous for its history and myths.
Zeller's riverscapes, photographed at night with long exposures up to 1 ½ hours, capture nocturnal details which normally would remain invisible even to the keen eyes of an attentive observer. The artificiality of the man-made environment finds its direct counterpart in the artificiality of the end product, the photograph, which the photographer can intentionally influence but not foresee in all its minute details. The resulting false colours in his images caused by the artificial streetlights remind us of the chemical laboratories along the Rhine.
Devoid of any human presence, the photographs seem frozen in their dream-like constellations, which represent the relics of human existence after it will have vanished completely from this planet. Martin Zeller unveils the myth about the Rhine but at the same time he creates a new one about a post-industrial landscape. Thus his photo works not only become metaphors of transitoriness, but also moments of "time-out", moments of reflections upon the manifestation of technical civilization.
412-432 (1990)
With an introduction by Martin Stather
and a short story by Thomas Ibach
27 x 29,5 cm, 72 pages
50 colour illustrations
ISBN 978-3-926048-42-4
English
DIAGONAL MIRROR (2008)
TRANSFIGURED NIGHT (2002)
TRIANGLE (1992)
